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“This is Redeemm, and I’m here to give you the key to your caged mind.” For Jamaican reggae artist, songwriter, educator and social commentator Redeemm , music is not simply entertainment. It is a vessel for information, spiritual nourishment, historical awareness and mental liberation. Born Earle Morrison in Spanish Town, St. Catherine, Jamaica, Redeemm has built his artistic identity around one central purpose: awakening people mentally, spiritually, culturally and historically. On Wednesday, July 15, 2026, at 12:00 PM Jamaica Time , Redeemm joins Reggae Hour for an exclusive interview about his life, his music, his twelve-track album Key for Caged Minds , and his mission to use reggae as a tool for education and freedom. Reggae Hour Exclusive Interview Guest: Redeemm Date: Wednesday, July 15, 2026 Time: 12:00 PM Jamaica Time Watch: Reggae Hour From Spanish Town to a Life of Service Redeemm was born on December 12, 1976, and grew up between Tred...

🌿 The Roots Revival: How Reggae Reclaimed Its Voice in 2025–2026 For years, people said reggae had lost its place in global music. Streaming algorithms shifted attention toward faster sounds. Dancehall evolved into new forms. Afrobeats, amapiano, trap, and pop fusion dominated playlists worldwide. To some listeners, roots reggae began to feel like memory instead of movement. But between 2025 and 2026, something changed. Not quietly. Not nostalgically. A new wave of artists, projects, and live performances reminded the world that reggae was never meant to disappear — because reggae was never just music. It was message. It was identity. It was resistance. And the Roots Revival movement entered a powerful new chapter. 🔥 The Second Wave of the Revival The original Roots Revival movement emerged in the early 2010s through artists like Chronixx, Protoje, Kabaka Pyramid, and Jah9. At the time, reggae was searching for balance. Dancehall had become dominant commercially, while roots reggae s...

His message was challenged.   THE QUESTION MOST PEOPLE AVOID Bob Marley is everywhere. His music plays in cafés, documentaries, playlists, and playlists within playlists. He is celebrated as the global face of reggae—peaceful, unifying, timeless. But Peter Tosh ? He is remembered differently. Respected—but not always embraced. Celebrated—but often misunderstood. Powerful—but still… controversial. Same origins. Same struggle. Same foundation. So why did one become universal… while the other remained uncomfortable? To answer that, you have to understand one thing: Peter Tosh was not trying to be accepted. He was trying to be understood. And those are not the same thing. ⚔️ THE STEPPING RAZOR — A MAN WHO REFUSED TO BLUNT HIS EDGE The term Stepping Razor wasn’t just a song title. It was a declaration. A stepping razor is not something you hold casually. It is sharp. Dangerous. Direct. That is who Peter Tosh was. Where others translated reggae into something globally digestible, Tosh ...

Some bands are formed in garages. Some are built in studios. Spliff Vision was forged in survival. From the working-class streets of San Pedro’s “The Lows,” the brothers and cousins who make up Spliff Vision didn’t just grow up around music—they grew up around the realities that reggae was always meant to speak about: struggle, loss, injustice, and resilience. Their sound—what they call Reality Roots—isn’t branding. It’s biography. --- A Childhood Where Music Was the Escape Before the stages, before the festivals, before the crowds knew their name, the members of Spliff Vision were simply family in a house full of instruments. Konker Spliff grew up alongside his brothers—Buddy on drums and their older brother on bass—learning music by ear, experimenting, and copying everything they heard. No formal training. No classes. Just passion. They were self-taught players, united by the same instinct: if there was an instrument nearby, they wanted to play it. But the music wasn’t just entertain...

Some interviews feel like marketing. Others feel like a moment you’re supposed to hear. This conversation with Blaz’em belongs to the second category. For over 15 years, Blaz’em has lived Rastafari—not as a look, not as a trend, but as a discipline. In his exclusive Reggae Hour interview, he speaks with a clarity that cuts through noise, ego, and industry illusions. He talks about faith, elders, mistakes, music, youth, and why conscious reggae still matters when so much feels disconnected. What follows isn’t just a recap. It’s a reasoning—with the artist, and with yourself. “I Always Knew I Was Going to Be a Rasta” Blaz’em’s journey didn’t begin on a stage or in a studio. It began quietly—as a youth watching, listening, absorbing. “Looking at the elder Rastaman dem, it interest me. The picture of Selassie—I used to just stand and stare at it. I knew one day… I was going to be a Rasta.” At just 14 years old, he embraced Rastafari—not because it was popular, but because it felt like home...