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Stephen “Cat” Coore: Three Moments That Defined a Life of Music, Love, and Service

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  On January 18, the reggae world paused to remember Stephen "Cat" Coore—a founding member of Third World, a master guitarist, and a quiet giant whose influence reached far beyond the stage. Cat Coore was not a musician who chased attention. He was a musician who earned respect—by how he played, how he lived, and how he treated people. To understand his legacy, you don’t need a full discography. You need to understand three moments—one professional, one personal, and one rooted in giving back. Together, they tell the story of a man who believed reggae was not just sound, but responsibility. 1. The Professional Moment: When Reggae Went Global Without Losing Its Soul In the early 1970s, reggae stood at a crossroads. The music was powerful, but often boxed in—seen as regional, niche, or limited in scope. When Third World emerged, Stephen “Cat” Coore helped change that perception forever. As a founding member and musical architect, Cat Coore brought discipline, musicality, and re...

15 Years of Fire: Blaz’em on Rastafari, Roots Reggae & Walking the Righteous Path

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Some interviews feel like marketing. Others feel like a moment you’re supposed to hear. This conversation with Blaz’em belongs to the second category. For over 15 years, Blaz’em has lived Rastafari—not as a look, not as a trend, but as a discipline. In his exclusive Reggae Hour interview, he speaks with a clarity that cuts through noise, ego, and industry illusions. He talks about faith, elders, mistakes, music, youth, and why conscious reggae still matters when so much feels disconnected. What follows isn’t just a recap. It’s a reasoning—with the artist, and with yourself. “I Always Knew I Was Going to Be a Rasta” Blaz’em’s journey didn’t begin on a stage or in a studio. It began quietly—as a youth watching, listening, absorbing. “Looking at the elder Rastaman dem, it interest me. The picture of Selassie—I used to just stand and stare at it. I knew one day… I was going to be a Rasta.” At just 14 years old, he embraced Rastafari—not because it was popular, but because it felt like home...

Reggae Hour Feature: “Culture Brown – The Reggae Legend Who Refused to Sell Out”

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Premiere Date: October 28, 2025 – 7 PM CST Streaming on: iHeartRadio, Amazon Music, Apple Music, Spotify, and ReggaeHour.com 🌍 From Westmoreland to the World Culture Brown stands as one of reggae’s most uncompromising voices. Born in Westmoreland, Jamaica , and raised between country and city life , he fuses the humble roots of the countryside with the sharp rhythms of Kingston. His evolution through Black Star Sound System — a musical “university” that shaped icons like Junior Reid and Brigadier Jerry — gave him the foundation for a lifetime of authentic sound. “Black Star was like university for me. You learn how to behave, how to carry yourself when success comes.” — Culture Brown 🎶 The New Album: “Go Deh” His latest release, “Go Deh,” represents the full maturity of his message — a declaration of independence, faith, and purpose. Now available on all major platforms, the album features: “Beautiful” — a heartfelt anthem written for the disabled community. ...

✊🏾 Mystic Revealers: A Reggae Legacy Rooted in Truth, Upliftment & the Power of JAH

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  In a soul- stirring interview on the Reggae Hour Podcast , host Mr. E sat down with none other than Billy Mystic , frontman of the legendary Mystic Revealers , to trace the band’s profound journey through the ever- evolving soundscape of reggae. Formed in Bull Bay, Jamaica in 1977, Mystic Revealers has carried the torch of roots reggae for over four decades— delivering timeless messages of justice, unity, spiritual freedom, and resilience . “ We weren’t trying to replace anyone. We just wanted to sing what we believed— and what we thought could make a difference.” — Billy Mystic 🎶 From Sound Systems to Global Stages Growing up outside Kingston’s core reggae hubs, Mystic Revealers cut their teeth in Jamaica’s sound system culture . With no major labels knocking, they built their own studio, pressed their own records, and created their own space in reggae’s history. “ It was brave of us as youngsters to say, okay, if no one wants to help us, we’re going to do it ourselve...