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Reggae Hour Podcast on B.O.S.S. Radio

Reggae Hour Podcast on B.O.S.S. Radio
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Reggae-Hour

Seth Caro on Music, Thinking for Yourself, and Why the Journey Is the Message

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 Seth Caro on Music, Thinking for Yourself, and Why the Journey Is the Message On February 10th, 2026, at 7:00 p.m. Central Standard Time (5:00 p.m. Pacific), Reggae Hour hosted a long-form conversation with Seth Caro of Venice Beach Dub Club—a discussion that moved well beyond genre labels, releases, or promotion. What unfolded was a reasoning-driven dialogue about music as communication, humility as a creative discipline, and why real growth can’t come from chasing scenes, slogans, or surface-level narratives. Seth explains that music, for him, has always been a way to communicate complicated ideas—ideas that are difficult to express directly in everyday conversation. Rather than telling people what to think, he prefers to let listeners discover meaning on their own. That process, he says, is what creates a genuine and lasting connection between artist and audience. The conversation traces his early exposure to hip hop in New York, his first encounters with dancehall on the radio...

✊🏾 Mystic Revealers: A Reggae Legacy Rooted in Truth, Upliftment & the Power of JAH

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  In a soul- stirring interview on the Reggae Hour Podcast , host Mr. E sat down with none other than Billy Mystic , frontman of the legendary Mystic Revealers , to trace the band’s profound journey through the ever- evolving soundscape of reggae. Formed in Bull Bay, Jamaica in 1977, Mystic Revealers has carried the torch of roots reggae for over four decades— delivering timeless messages of justice, unity, spiritual freedom, and resilience . “ We weren’t trying to replace anyone. We just wanted to sing what we believed— and what we thought could make a difference.” — Billy Mystic 🎶 From Sound Systems to Global Stages Growing up outside Kingston’s core reggae hubs, Mystic Revealers cut their teeth in Jamaica’s sound system culture . With no major labels knocking, they built their own studio, pressed their own records, and created their own space in reggae’s history. “ It was brave of us as youngsters to say, okay, if no one wants to help us, we’re going to do it ourselve...